Title
|
Artist
|
Medium
|
Creation Date
|
Interlude
|
Richard Mayhew
|
Oil on canvas
|
1964
|
Freedom: A Fable
|
Kara Walker
|
Artist book with pop-up silhouettes
|
1997
|
Two Rebels
|
Jacob Lawrence
|
Lithograph on paper
|
1963
|
Alternative
|
Marion A. Epting
|
Intaglio and embossing on paper
|
1968
|
III
|
Lorna Simpson
|
Wood box and felt with ceramic, rubber, and bronze wishbones
|
1994
|
Untitled
|
Martin Puryear,
Paulson Bott Press,
Pam Paulson
|
Color hard and soft ground etching, with drypoint, on cream Japanese paper, laid down on white wove paper (chine colle)
|
2001
|
The Truth about Hip Hop
|
Sedrick Ervin Huckaby
|
Ink, graphite, pigment, and collage on paper
|
2010
|
Seduction Coat, from The Corcoran 2005 Print Portfolio: Drawn to Representation
|
Renee Stout
|
Photolithograph with chine colle applique and collage on paper
|
2004
|
Female portrait, sleeping
|
Joseph Delaney
|
Charcoal and pastel on newsprint
|
1930s
|
Female figure sleeping
|
Joseph Delaney
|
Charcoal and pastel on paper
|
1930s
|
Self-portrait sketches
|
Joseph Delaney
|
Graphite on paper envelope
|
1930s
|
Figure sketch of nude male
|
Joseph Delaney
|
Charcoal
|
1930s
|
Construction scene
|
Joseph Delaney
|
Brush and ink and wash
|
1930s
|
Standing female figure nude
|
Joseph Delaney
|
Charcoal, conte
|
1930s
|
Construction Workers, Philadelphia
|
Dox Thrash
|
Oil on board
|
about 1945
|
Abide
|
Charles White
|
Color etching on paper
|
printed 1984
|
Still Life with Peonies (three white, two pink)
|
John Wesley Hardrick
|
Oil on board
|
n.d.
|
Still Life with Peonies (three pink, two white)
|
John Wesley Hardrick
|
Oil on board
|
n.d.
|
Bare Arms (The Practice #2)
|
Darius Steward
|
Drypoint on Twinrocker paper
|
2019
|