Title
|
Artist
|
Medium
|
Creation Date
|
Interlude
|
Richard Mayhew
|
Oil on canvas
|
1964
|
Freedom: A Fable
|
Kara Walker
|
Artist book with pop-up silhouettes
|
1997
|
Two Rebels
|
Jacob Lawrence
|
Lithograph on paper
|
1963
|
Red and Black T
|
Richard Hunt
|
Lithograph on wove paper
|
about 1969
|
Alternative
|
Marion A. Epting
|
Intaglio and embossing on paper
|
1968
|
Untitled #6
|
Richard Hunt
|
Oil pastel on paper
|
n.d.
|
Untitled (Paper Piece IV)
|
Richard Hunt
|
Screenprint on handmade paper
|
n.d.
|
Untitled
|
Richard Hunt
|
Lithograph
|
n.d.
|
III
|
Lorna Simpson
|
Wood box and felt with ceramic, rubber, and bronze wishbones
|
1994
|
Untitled
|
Richard Hunt
|
Oil pastel and paint on paper
|
1976
|
Untitled
|
Martin Puryear,
Paulson Bott Press,
Pam Paulson
|
Color hard and soft ground etching, with drypoint, on cream Japanese paper, laid down on white wove paper (chine colle)
|
2001
|
The Sea of Galilee, near Nazareth; Palestine
|
Joseph E. Yoakum
|
Ink and pastel on paper
|
1968
|
Birmingham, Alabama (Police Dogs Attack Demonstrators)
|
Charles Moore
|
Silver gelatin print
|
1963; printed 1997
|
...and a special fear for my loved ones, from the series "The Black Woman"
|
Elizabeth Catlett
|
Linoleum cut on paper
|
1947, printed 1989
|
City Life
|
Joseph Delaney
|
Oil on canvas
|
about 1938
|
Untitled
|
Richard Hunt
|
Lithograph on heavy cream wove paper
|
about 1994
|
Construction Workers, Philadelphia
|
Dox Thrash
|
Oil on board
|
about 1945
|
Abide
|
Charles White
|
Color etching on paper
|
printed 1984
|
Still Life with Peonies (three white, two pink)
|
John Wesley Hardrick
|
Oil on board
|
n.d.
|
Still Life with Peonies (three pink, two white)
|
John Wesley Hardrick
|
Oil on board
|
n.d.
|
Bare Arms (The Practice #2)
|
Darius Steward
|
Drypoint on Twinrocker paper
|
2019
|